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I've uploaded a detail of the card deck face cards I just completed on Thursday.
It was a pretty interesting project, quite a distance from my comfort zone. These are definitely the most advanced portraits I've completed in Adobe Illustrator, incorporating some of the ideas I've been exposed to here on deviantART. Particularly, the highlights on these characters is inspired by Dezgardous (below, left) and ChewedKandi (below, right)
Here are my thoughts on my three portraits:
Jack - The Jack was the easiest of the batch. I guess I had started with a pretty strong look (vaguely based on Tom Hiddleston's Loki, though with modified features). I also received helpful direction from Lynne, my art director, during development. I had a fun time working in the shadows on this face.
Queen - I'm actually dissatisfied with how she turned out. I had intended her to be older and more badass, but in the end, I received AD that she was too "old and tired looking". To the company's credit, they have in the past had difficulties with dour-looking queens... The result was that I had to redraw her to look look acceptable. But to me she looks overly young and vague. Ick! BUT, on the plus side, I really got into experimenting with makeup, adding blush and layered lipstick - also the subtle coloration around the eyeballs. I tried mascara too, but the results were dreadful, and were soon deleted. So I learned a lot, she just doesn't live up to my vision.
King - The king was originally based on Edward Woodward's portrail of the Ghost of Christmas Present, except Lynne didn't think that Santa Claus was an appropriate model for a king. Throughout production, I danced on the boundary between "regal" and "genial". At one point, my art director complained that the face was suffering from extremely chunky linework. I was using a Wacom tablet and pressure sensitive calligraphy brush, but couldn't control it! After some research, I learned that my problem was that my tablet was set waaay too soft for my heavy hands. Hard lesson learned! Fixing this required repainting the face, but the result was serendipitous. The redrawn eyes had a certain "sparkle" that really clicked with Lynne.
So they were a great learning experience, sometimes bumpy, but a nice change from interface design. Overall, professional work I can be proud of. Who's your favorite?
It was a pretty interesting project, quite a distance from my comfort zone. These are definitely the most advanced portraits I've completed in Adobe Illustrator, incorporating some of the ideas I've been exposed to here on deviantART. Particularly, the highlights on these characters is inspired by Dezgardous (below, left) and ChewedKandi (below, right)
Here are my thoughts on my three portraits:
Jack - The Jack was the easiest of the batch. I guess I had started with a pretty strong look (vaguely based on Tom Hiddleston's Loki, though with modified features). I also received helpful direction from Lynne, my art director, during development. I had a fun time working in the shadows on this face.
Queen - I'm actually dissatisfied with how she turned out. I had intended her to be older and more badass, but in the end, I received AD that she was too "old and tired looking". To the company's credit, they have in the past had difficulties with dour-looking queens... The result was that I had to redraw her to look look acceptable. But to me she looks overly young and vague. Ick! BUT, on the plus side, I really got into experimenting with makeup, adding blush and layered lipstick - also the subtle coloration around the eyeballs. I tried mascara too, but the results were dreadful, and were soon deleted. So I learned a lot, she just doesn't live up to my vision.
King - The king was originally based on Edward Woodward's portrail of the Ghost of Christmas Present, except Lynne didn't think that Santa Claus was an appropriate model for a king. Throughout production, I danced on the boundary between "regal" and "genial". At one point, my art director complained that the face was suffering from extremely chunky linework. I was using a Wacom tablet and pressure sensitive calligraphy brush, but couldn't control it! After some research, I learned that my problem was that my tablet was set waaay too soft for my heavy hands. Hard lesson learned! Fixing this required repainting the face, but the result was serendipitous. The redrawn eyes had a certain "sparkle" that really clicked with Lynne.
So they were a great learning experience, sometimes bumpy, but a nice change from interface design. Overall, professional work I can be proud of. Who's your favorite?
New so-called Office
Late February and early March was a period where I was "moving" between "offices". Air quotes because it is how I think of transitioning between graphics computers. My old one had been beat to hell and required repair. I kept it online as long as I could while I went through a bumpy process of getting another computer. I didn't do the obvious thing and head down to BestBuy or CostCo or any other big store. No. I like to get computers from my computer repair guy. Welll.... That doesn't always work out smoothly. The first one I tried was too wimpy. The second had memory errors and was Bluescreening all over the place. The third had Windows inco
T-Shirt Business
Recently, I've started making clothing designs for sale on Redbubble.
To begin with, I have been helping my daughter with her Korean classes. I like to work her homework with her. I've always been interested in decorative writing, calligraphy, calligrams, etc. Hangul gives me a whole new set of shapes to work with. And, looking at some Korean graphical design work, I see there is great flexibility in the letterforms. (also, from an English perspective, Korean writing is shockingly logical)
And so, I began with some crazy letter illustration, and added to that some K-Pop specific subjects.
http://www.redbubble.com/people/worldsedge
February 2016 SCA Covers
With a Valentine's day theme, Leah Jolifaunt of Schattentor provides the Northshield Northwatch cover, "L O V E". Lovely, little figures peck between the letters. She also provided a few internal illustrations for the issue.
Check out the cover of the February Atlantia Acorn. It's a fabulous drawing of a courtly couple by Lady Daniela Schwartzhaupt. "Cover Artwork Documentation: Main image based on Noblewoman with Halberdier Woodcut after an engraving (c. 1520) by Albrecht Dürer (German painter and engraver, 1471 - 1528) Border design based on various woodcut engraving styles."
Also really great is the cover of the February Calontir Me
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10,000 views on 1/16/16! Thank you all.
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